Contingent Studies in Sensing Sound
A (mis)reader’s Guide to Listening, a performative work composed of several sensorial practices, was shared as a workshop during Cure Park in 2017. On this occasion, a poster designed by Goda Budvytyte was distributed.
Lendl Barcelos, Valentina Desideri and Myriam Lefkowitz collect historical and contemporary sensing practices that make it possible to extend our perception of sound and sense-making. The collection is a mixture of artistic, therapeutic, musical, conceptual and poetic practices, pre-existing and newly invented, including work and research made for the exhibition Infinite Ear (2016).
Gathered as scores and instructions, these practices are shared during Cure Park in a workshop by Lendl Barcelos and in a poster designed by Goda Budvytyte 1 . The poster is composed of 16 detachable cards with instructions extracted from the collection, including scores inspired by Pauline Oliveiros and Lisa Nelson. The poster is distributed for free during the workshop.
Infinite Ear: Contingent Studies in Sensing Sound is curated by Council.
Contingent Studies in Sensing Sound
Poster
Design Goda Budvytyte
2017
WITH
Lendl Barcelos
Valentina Desideri
Myriam Lefkowitz
PRODUCED BY
Cure Park
Top image : Hands holding cards detached from the Contingent Studies in Sensing Sound, designed by Goda Budvytyte, 2017, Ph: Garage Museum of Contemporary Art
Contingent Studies in Sensing Sound
Related work
A (mis)reader’s Guide to Listening
– Lendl Barcelos, Valentina Desideri & Myriam Lefkowitz
Workshop
Contingent Studies in Sensing Sound
– Lendl Barcelos