Tarek Atoui, THE SUBBASS PROTOTONE
As part of the project WITHIN, Tarek Atoui has developed nine new instruments and a sound massage kit which expanded notions of hearing, beyond orality and are activated on the occasion of concerts and exhibitions.
The SubBass Prototone is a 2 x 2 x 2 m organ pipe that one can enter and play from inside. Designed by Johannes Goebel in the 1980s, it is a giant a Helmholtz resonator and the frequency range of this analog wind machine is at the bottom end of hearing, where one can only experience sound by feeling it with the hands or the body. Helmholtz resonance is the phenomenon of air resonance in a cavity, such as when one blows across the top of an empty bottle. The name comes from a device created in the 1850s by Hermann von Helmholtz, the Helmholtz resonator, which he used to identify the various frequencies or musical pitches present in music and other complex sounds. 1
The Subbass Prototone
Tare Atoui
Designed by Johannes Goebel
Top image : The SubBass Protone, Photo: Thor Brødreskift, Courtesy Bergen Assembly.
Work
The Organ Within
– Tarek Atoui with Léo Maurel and Vincent Martial
The SubBass Prototone
– Tarek Atoui with Johannes Goebel
The 0.9
– Tarek Atoui, Greg Niemeyer, Perrin Meyer and Jeff Lubow
4 Iterations on Drums
– Tarek Atoui with Thierry Madiot
The Sub-ink
– Tarek Atoui
True Laptop Quartet
– Tarek Atoui
The T1
– Tarek Atoui
The Ouroboros
– Tarek Atoui with Espen Sommer Eide
33 Soft Cells
– Tarek Atoui with Kari Telstad Sundet
The Sound Massage Kit
– Tarek Atoui with Thierry Madiot
Readings
When We Met
— Sandra Terdjman & Tarek Atoui